Do You Need a Producer for Your Film Project?
Many people enjoy coming up with the ideas for movies, and they may even enjoy directing them. Film production, on the other hand, can be a challenging and detailed job that takes time away from what directors and actors think of as the fun part. This is why it's a good idea to get an outside producer involved.
A producer handles the nuts-and-bolts of filmmaking, including the financial aspects and the procurement of needed materials. This is an essential part of any film project. Without it, shortages of materials, problems with actor payment, and even depletion of funds can easily occur.
In many cases, production companies handle everything from the top down. The producer decides which films are worthy of further attention. Then, she or he hires the staff needed to make them happen. The director, key actors, and more can all be hired by the film production company. The producer will negotiate pay for all of these people.
While the people are essential parts of any movie, it is just as important to obtain the right equipment and materials. Sets, props, vehicles, and other on-screen items have to be purchased by production companies. Behind the scenes, cameras, film, microphones, and more are obtained. This goes all the way down to easily the smallest but most indispensable items like gaffer's tape. Any mistakes here can cause expensive delays in filming.
Finally, the production company needs to arrange for the distribution of the film, its entry into contests and film festivals, and more. This may be done by working with a giant production company that already has access to a nationwide – or worldwide – network of theaters. However, it can also involve direct deals with a small number of theaters, with the main intention of getting the film showcased at a festival like Sundance.
Production companies often become aware of potential films thanks to pitches made by those who would like to get their movies produced. In these cases, the potential producer will consider the merit of the ideas and their likelihood of meeting the company's goals. This doesn't always mean that a prospective movie has to seem commercially viable. Often, a smaller studio will pick up a movie because it seems like it could win a film festival award or otherwise improve the prestige of the film production firm.
As with any creative endeavor, it is important to be persistent. It can sometimes take several tries to find a production studio that is willing to commit to turning a movie idea into an actual film.